To see what your friends thought of this book, please sign up. To ask other readers questions about Wild by Nature , please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Mar 19, Laura Lee rated it really liked it Shelves: travel , religion-christianity-and-biblical.
Full disclosure: I read this book because I know the author personally. In fact, a couple of members of my family are mentioned in one of the stories.
So initially I hesitated in offering a review because it might seem biased. Inspirational Christian literature is not a genre I normally read and some of the expressions of faith are different than my point of view. But I don't want to review this from the point of view of theology. I would like to talk about story telling. I can truthfully report t Full disclosure: I read this book because I know the author personally. I can truthfully report that Morrisey is a master story teller. His tales of outdoor adventure are dramatic and exciting. Anyone who dreams of rock climbing or flying a plane will be able to see that part of their character in these tales.
For Christian readers, it has the additional element of bringing each journey back to God or faith. So this is a recommended read for anyone who likes both inspirational Christian books and outdoor adventure stories. Nov 30, Anja rated it really liked it Recommends it for: all Tom Morrisey fans. This book to me sums up all of Tom Morrisey's amazing work. From cave diving to rock climbing he explores his religion and faith through his own experiences. Before you judge the book to quickly it is also full of many of his own personal adventure stories.
Some show the beauty in the world around us, while others show the danger in sports like rock climbing and cave diving and how careful you have to be when you pursue passions like that. Like all of his work I loved reading it then thinking ba This book to me sums up all of Tom Morrisey's amazing work. Like all of his work I loved reading it then thinking back to my times on the rock and similar situation I have been in. These really are his true stories of his adventure and faith and how he explores the world through both.
If you like this book I recommend In High Places. Nicholas Miller rated it it was amazing Mar 30, Mrshargraves rated it it was amazing Jun 16, Rick Fess rated it really liked it Jun 24, James Earls rated it it was amazing Dec 27, Luke rated it liked it Mar 31, Readbooks rated it it was ok Sep 19, Garrison marked it as to-read Feb 21, Janice marked it as to-read May 15, Donita added it Jun 11, Kyle Noll marked it as to-read Aug 23, Tony Fernandez marked it as to-read Dec 26, Bgf marked it as to-read Mar 17, Robin Johnson Hodges marked it as to-read Jul 09, Jeanne marked it as to-read Feb 06, Timothy Kauphusman marked it as to-read Jul 09, I always love what Mandela said when he came out, and I was actually in his cell in Robben Island one time, when I was in South Africa.
And I think that one of the reasons that so many people turn away from religion in our times is that the God question has died for them, because the question has been framed in such repetitive, dead language.
Tippett: Did you always feel this? Is that something — is that a sense that has grown in you, or something that you name now? One is — and this is what I like about the Christian tradition, and this is where I diverge a little from the Buddhist tradition, even though I love Buddhism as a methodology to clean up the mind and get you into purity of presence. So then you are on a real safari with the wildness and danger and otherness of God. And I think when you begin to get a sense of the depth that is there, then your whole heart wakens up.
And I think in our culture that one of the things that we are missing is that these thresholds where we can encounter this and where we move into new change in our lives, there are no rituals to help us to recognize them or to cross them worthily. So the threshold, in a way, is a place where you move into more critical and challenging and worthy fullness. And I think there are huge thresholds in every life.
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I mean I think, for instance, to give a very simple example of it is that if you are in the middle of your life in a busy evening, 50 things to do, and you get a phone call that somebody that you love is suddenly dying — it takes ten seconds to communicate that information, but when you put the phone down, you are already standing in a different world, because suddenly, everything that seemed so important before is all gone, and now you are thinking of this. So the given world that we think is there, and the solid ground we are on, is so tentative. And I think a threshold is a line which separates two territories of spirit, and I think that very often how we cross is the key thing.
And I think, when we cross a new threshold, that if we cross worthily, what we do is we heal the patterns of repetition that were in us that had us caught somewhere. Tippett: I want to ask you — I think right when we began to talk about beauty, you rightly said that in this culture we tend to associate beauty with glamour. And I think if you just mentioned the word, if you just threw it into a commonplace conversation, someone might just think of a beautiful face, of a famous, beautiful face.
When I think of beauty, I also think of beautiful landscapes that I know. Then I think of acts of such lovely kindness that have been done to me by people that cared for me in bleak, unsheltered times or when I needed to be loved and minded. I also think of those unknown people who are the real heroes for me, who you never hear about, who hold out on lines, on frontiers of awful want and awful situations and manage, somehow, to go beyond the given impoverishments and offer gifts of possibility and imagination and seeing.
I love music. I think music is just it. But I always think that music is what language would love to be if it could. Tippett: I have to say that I discovered Celtic music after going to that part of the world, Scotland especially. And Celtic music, for me, has this completely — you could say this about Beethoven, as well.
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But in a very particular way, it seems to express the greatest joy and also the deepest sorrow, almost indistinguishable from each other, and yet both with a kind of healing force. Even in the fast music and the light, gay music. Yeah, you do. You hear it there. You hear the undertones and the quiet spaces where the echo of this hauntedness comes through. In the last years of his life, he became a well-known speaker on leadership and creativity in the corporate sector. He consulted with executives on integrating a sense of soul and of beauty into their leadership and their imagination about the people with whom they work.
Tippett: I would like to hear about the work you do in corporations and workplaces. It seems to me — in a strange way, some of the greatest intimacy and community we have, or fail to have, is with our colleagues at work. And because we spend so much time at work, and it so defines us, our souls, the light and darkness of our souls is on display at work.
I mean we spend over one-third of our lives, actually, in the workplace. And in witnessing to that gift and bringing it out, they actually provide an incredible service to us all. And I think you see that the gifts that are given to us as individuals are not for us alone, or for our own self-improvement, but they are actually for the community and to be offered.
And I think that this is where leadership comes in at work. Tippett: And are you finding that there is great interest and curiosity and willingness to have this new kind of imagination in workplaces? I wonder how you would speak to address some of the fear that arises, because I think in the American imagination, for example, those things get confused.
And someone might listen to you talking about being in a board room and talking about the soul — why is that not something that we should be afraid of or that even really has anything to do with our rules about church and state or about the line between politics and religion? And the best minds, and the most critical minds know that. And I think that for parenting, for relationships, and for all the domains of our endeavor and work, to have access to a religious tradition is a huge, strengthening, critical resource, which keeps you wide awake and makes you ask yourself the hard questions.
And I feel that one could write a wonderful psychology just based on the notion of being called — being called to be yourself and called to transfigure what has hardened or got wounded within you. Now how do we do it? But when had you last a great conversation in which you overheard yourself saying things that you never knew you knew, that you heard yourself receiving from somebody words that absolutely found places within you that you thought you had lost and a sense of an event of a conversation that brought the two of you onto a different plane, and then, fourthly, a conversation that continued to sing in your mind for weeks afterwards?
Second thing, I think, a question to always ask oneself — who are you reading? Who are you reading?
And where are you stretching your own boundaries? Are you repetitive in that? And one of the first books I read as a child — we had no books at home, but a neighbor of ours had all these books, and he brought loads of books. So like my professors in colleges always used to say, if you were doing an essay or doing a thesis, the first thing you have to do is read the primary sources and trust your own encounter with them before you go to the secondary literature. This was one of the last interviews he gave.
More recently, a wonderful new book of conversation with him has been published in the U.go site
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He read it aloud to me when we sat together. The Fetzer Institute, helping to build the spiritual foundation for a loving world. Find them at fetzer. Kalliopeia Foundation, working to create a future where universal spiritual values form the foundation of how we care for our common home.
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Start Here. Welcome to our new digital home. Tippett: What do you mean when you write that everyone is an artist? Tippett: Time is a bully. We are captive to it. Tippett: And over-structured. Tippett: And why did it surface then? And what I love in this regard is my old friend Meister Eckhart, the 14 th -century mystic… Ms. Tippett: Right, German mystic. On Being continues in a moment. Tippett: And what is that relationship between beauty and thresholds?
Tippett: And where is beauty in that? Tippett: And I feel that you hear that in the music of Ireland. Tippett: Even in the celebratory — yes. Tippett: And tradition, like memory, has dark passages. Tippett: But the weight of it is… Mr. Tippett: Special thanks this week to Linda Alvarez. And the last voice you hear, singing our final credits in each show, is hip-hop artist Lizzo. On Being was created at American Public Media.
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